Publishers Weekly (August 14, 2006)

In this splendid, beautifully written followup to his blockbuster thriller, Devil in the White City, Erik Larson again unites the dual stories of two disparate men, one a genius and the other a killer. The genius is Guglielmo Marconi, inventor of wireless communication. The murderer is the notorious Englishman Dr. H.H. Crippen. Scientists had dreamed for centuries of capturing the power of lightning and sending electrical currents through the ether. Yes, the great cable strung across the floor of the Atlantic Ocean could send messages thousands of miles, but the holy grail was a device that could send wireless messages anywhere in the world. Late in the 19th century, Europe's most brilliant theoretical scientists raced to unlock the secret of wireless communication. Guglielmo Marconi, impatient, brash, relentless and in his early 20s, achieved the astonishing breakthrough in September 1895. His English detractors were incredulous. He was a foreigner and, even worse, an Italian! Marconi himself admitted that he was not a great scientist or theorist. Instead, he exemplified the Edisonian model of tedious, endless trial and error. Despite Marconi's achievements, it took a sensational murder to bring unprecedented worldwide attention to his invention. Dr. Hawley Harvey Crippen, a proper, unattractive little man with bulging, bespectacled eyes, possessed an impassioned, love-starved heart. An alchemist and peddler of preposterous patent medicines, he killed his wife, a woman Larson portrays lavishly as a gold-digging, selfish, stage-struck, flirtatious, inattentive, unfaithful clotheshorse. The hapless Crippen endured it all until he found the sympathetic Other Woman and true love. The "North London Cellar Murder" so captured the popular imagination in 1910 that people wrote plays and composed sheet music about it. It wasn't just what Crippen did, but how. How did he obtain the poison crystals, skin her and dispose of all those bones so neatly? The manhunt climaxed with a fantastic sea chase from Europe to Canada, not just by a pursuing vessel but also by invisible waves racing lightning-fast above the ocean. It seemed that all the world knew-except for the doctor and his lover, the prey of dozens of frenetic Marconi wireless transmissions. In addition to writing stylish portraits of all of his main characters, Larson populates his narrative with an irresistible supporting cast. He remains a master of the fact-filled vignette and humorous aside that propel the story forward. Thunderstruck triumphantly resurrects the spirit of another age, when one man's public genius linked the world, while another's private turmoil made him a symbol of the end of "the great hush" and the first victim of a new era when instant communication, now inescapable, conquered the world.